London: J. Souter, 1825.

Oblong folio, handcoloured lithographed title and 48 fine handcoloured aquatint views after drawings by Joseph Lycett, with descriptive text, two folding maps; a fine copy in half morocco, spine lettered in gilt and decorated in compartments, edges fully gilt.

A pivotal work in Australian landscape art...

Brescia: Boninus de Boninis, 1483.

Small folio (302 x 198mm), 191 leaves (initial blank leaf discarded), with seven diagrams and a world map within the text; capital spaces blank; a fine, large copy in handsome Regency russia leather, sides richly tooled in gilt and blind with anthemion and scroll motifs...

Amsterdam: Joannes Wolters, 1707.

Folio, with a fine engraved title-page, parallel text in Greek and Latin in double columns; well-preserved contemporary vellum, spine elegantly lettered in ink with in gilt ornament between raised bands, covers ornately gilt with complex central emblematic device.

The best edition of Strabo's "colossal work"

London: Published for the Proprietors by George Virtue, 26 Ivy Lane, 1840-1842.

Four volumes in 13 separate original parts, quarto, letterpress, two maps, and over 200 fine steel engravings, list of subscribers (to America Illustrated) and advertisement leaves, title pages, index to plates, with an author's notice in the final...

Probably Venice: variously dated from 1795 to 1825.

Oblong small quarto album, 185 x 275mm, containing forty-six watercolours of various sizes and shapes ranging from delicate circular vignettes to larger scenes of urban and theatrical life, elegantly bound in nineteenth-century ochre morocco with ornate gilt decoration.

Fine Commedia dell'arte watercolours

London: Published by J. Sowerby & Co, 1793.

Hand coloured engraved plate, 235 x 170mm, mounted and in a handsome nineteenth century timber frame.

The first engraved image of the magnificent waratah

[Sydney?]: circa 1840s.

Three ink caricatures on a single sheet of laid foolscap paper, 215 x 340 mm.

Unsigned caricature of three men in mid-century New South Wales

London: James Whittle & Richard Holmes Laurie, 1814.

Engraving on paper, 290 x 430 mm; a good, well-inked impression.

From Bellevue Hill