London: n.d., but, 1794.

Octavo, large folding plate of plans with early handcolouring in red; bound in original heavy pink card wrappers, a bit faded, with early manuscript title to front.

Laying out the settlements

Venice: Tipografia di Commercio, 1831.

Oblong folio, 12pp. text accompanied by two en graved frontispieces (one heightened with gold), title-page with engraved vignette, one map, and 48 superb plates, all with original hand-colouring; a fine copy in contemporary Venetian grained calf, gilt, spine lettered and ornately decorated in gilt, bright...

Paris: Imprimerie Impériale [Royale], 1807/16/07/11; 1815/12.

Bound in five volumes; a handsome set of the complete official edition, including the two-volume quarto narrative text with portrait frontispiece and two folding tables, the two-parts of the large quarto atlas bound as a single volume containing 40 plates (23 coloured and two...

Venice: c. 1430.

Illuminated leaf on vellum, 469 x 353 mm., with illuminated initial "I", 122 x 90 mm. (body of initial); initial on a burnished gold ground and painted in rich colours of blue, red, green and ochre, the initial extended with lush leafy decoration in similar colours with...

London: George Cawthorn, 1797.

34 volumes, 16mo., engravings; contemporary sprinkled calf, full blue morocco spines richly gilt.

The "most esteemed" English plays

[England]: no date but 1857.

Oval portrait Baxter print in the original timber frame, 145 x 125 mm., modern labels pasted to back;.

From Vah-ta-ah to Lydia: cannibals rejoice

London: Leighton Brothers, n.d., but circa 1855.

Engraving, 545 x 400 mm. (sheet size), laid down on publisher's light card, mounted.

Australia Felix: fine portrait of Westgarth's partner Alfred Ross.