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London: R. Ackermann, 1814.
Georgian Oxford in colourTwo voumes, quarto; with engraved portrait of the Chancellor, Lord Grenville, 64 hand-coloured aquatint plates, and 17 coloured costume plates of university figures in their academic garb; contemporary half calf. First edition: a very good complete set of the classic and beautifully.....
London: J. Cross, 1826.
The first book on Australian agricultureOctavo, half-title, with four hand-coloured aquatint plates, and advertisement leaf for the printer Joseph Cross; a very attractive copy in modern half calf. Scarce: The first book on Australian agriculture, with the earliest published architectural drawing of an Australian house.....
Sydney: D. Wall, 76 York Street, n.d. but, 1848.
First study of Australian architecture: "Georgian" SydneyQuarto, with full page copper plate engravings throughout, owner's name "Alfred C. Johnson"; a good copy in the original pink papered boards, preserved in a blue folding quarter morocco book-form box, lettered to the.....
Sydney: Gibbs, Shallard and Company, 1878.
Important Australian architectural record.Quarto, with full page copper plate engravings throughout, half black roan with gilt lettering, bookplate of Henry White. Joseph Fowles arrived in Sydney in 1838 and this is without doubt his most important work, providing remarkably detailed information on the.....
London: Virtue and Company, circa 1875. Three thick quarto volumes, engraved vignettes, full page plates, page-edges gilt; in contemporary red morocco gilt, flat spines elaborately gilt, cloth boards marked. Beautifully illustrated collection of essays on the history of London bound in ornate handsome contemporary gilt decorated red morocco. In addition.....
London: Longman, Rees, Orme, Brown, Green & Longman, 1833. Thick octavo, half title including publishers advertisements to verso, almost 100 lithographs on thicker art pages (but with continuing pagination) as well as more than 2,000 wood engravings throughout, early owner's inscription,, very good; half dark blue morocco, original marbled boards.....
London: M. Taylor, 1838. Quarto, with 22 engraved plates (eight double-page); in the original grey boards with paper label,, with the 16pp. publisher's catalogue. A very charming, but practical, pattern-book aimed at the country gentleman who wished to construct villas which looked like farms, and for genteel farmers who wanted.....
London: J. Souter, 1825.
By Governor Macquarie's artistOblong folio, a tall copy with the pictorial lithographed title untrimmed, 48 coloured aquatint views after drawings by Joseph Lycett, the colouring generally very bright and of notably high quality, two engraved maps (one folding), with descriptive letterpress text, later neat owner's.....
London: John Booth Duke Street Portland Place, 4 June 1810.
The first panoramic views of Sydney to be exhibitedPair of uncoloured aquatints joined as a panorama as intended, 340 x 980 mm; in original bird's-eye maple frame. A rare panoramic view of Sydney Harbour. John Eyre arrived in New.....
Sydney: N.S.W. Government Printer, 1897.
Photographic Panorama of the Sydney Agricultural ShowFive-panel panoramic photograph, highlighted by hand, laid down on canvas, 390 x 3490 mm.; some wear and staining to canvas backing, very lightly cracked at one joint, but overall in very good condition. A rare very large panoramic.....
London: for R. Ackermann, 1818.
Cottages ornés: influential on Colonial designImperial octavo, frontispiece and 26 aquatint plates, all handcoloured; nineteenth century purple half calf. In this beautifully illustrated book George Papworth (1775-1847) intended to demonstrate that even a modest cottage could be raised to a high aesthetic plane with.....
London: for J. Taylor, 1823. Quarto, 33 engraved plates (23 sepia aquatints), partly unopened in original grey boards, with 16 pp. publisher's catalogue. An excellent unsophisticated copy of the second edition. Pocock (1779-1849) had an extensive and varied architectural practice in England, Ireland and Canada, where he built the Ball.....
London: R. N. Rose, 1821.
"A literary conservatory of rare, curious, and interesting productions…"Six volumes, octavo, illustrated by one hundred engravings (some folding); contemporary half calf, marbled boards. Generously illustrated cyclopaedia of curious knowledge gleaned from myriad sources for the general reader. In the preface, the good Reverend Polehampton.....
London: James Rimell and Son, 1881. Folio, with a suite of 24 tinted lithographs, some foxing; a very good copy bound in original dark blue cloth, small worm hole to front board, gilt. An attractive copy of this increasingly rare book of illustrations by Samuel Prout, an important and influential.....
London: James Carpenter, 1830. Quarto, lithograph title and 96 lithograph plates; possibly lacking additional letterpress title (?), in modern quarter calf. Third edition of this classic architectural pattern book. Robinson (1776-1858) was a prolific and versatile designer of country mansions and picturesque cottages. In the present work he provides sixteen.....
London: Henry G. Bohn, 1836. Quarto, lithograph title and 96 lithograph plates; original quarter roan. Third edition "greatly improved" a re- issue of the 1830 edition by Bohn, with a new preface. Robinson (1776-1858) was a prolific and versatile designer of country mansions and picturesque cottages. In the present work.....
London: Henry G. Bohn, 1836. Quarto, decorative lithographed title, 96 plates; in original quarter morocco with morocco label on upper board. Fourth edition of the first of Robinson's six pattern-books. Peter Frederick Robinson (1776-1858) was a very successful architect as well as a prolific writer on architectural styles. As a......
London: James Carpenter, 1837. Quarto, plates; original publisher's quarter calf. Fourth edition of Robinson's fourth pattern-book, including designs for all types of village buildings from an Anglo-Norman church to a pump. The last of the high-quality plates is a view of the village street which emphasises the irregularity and varied.....
London: Rudolph Ackermann, 1808-09.
Pugin and Rowlandson collaborate with Ackermann to depict all of LondonThree volumes quarto, with 104 hand-coloured aquatint plates; engraved dedications with vignette head-pieces; in a superb binding of dark red straight-grained morocco, sides with geometric borders, spines with complex panelling between raised bands, all in.....
Vicenza: Giovambattista Vendramini Mosca, 1761.
Guide to Palladio's built VicenzaSmall quarto, engraved frontispiece portrait of the dedicatee, Mario Capra, title vignette, 36 fine etched and engraved plates by Cristoforo dall'Acqua after the author, (the majority folding); contemporary mottled calf, spine renewed. An architectural guide to Vicenza (arranged as a......
London: n.d., but, 1794.
Laying out the settlementsOctavo, large folding plate of plans with early handcolouring in red; bound in original heavy pink card wrappers, a bit faded, with early manuscript title to front. Very scarce first edition of this model for the planning and building of an ideal.....
Siena: Pazzini Carli, 1791-1794.
Eighteenth-century edition of the classic account of artists of the Italian RenaissanceEleven volumes, octavo, with 159 engraved plates; the text printed on pale blue tinted paper; an excellent set in contemporary quarter calf and glazed boards, spines gilt with crimson morocco labels. A most attractive.....
Naples: Stamperia Simoniana, 1758.
Large format VitruviusFolio, with engraved frontispiece and 25 plates, woodcut diagrams and vignettes throughout; contemporary vellum. Splendid edition of Vitruvius, published in large format with 25 detailed plates specially prepared for this edition. This is the best textual edition of Vitruvius, translated and edited by.....