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Melbourne: Edward A. Vidler, 1920.
With illustrations by Napier WallerOctavo, two black & white plates by Napier Waller; original pictorial wrappers with yap edges. A two-act play with an unusual idea for staging involving cinematic sets. Illustrated by Napier Waller.
London: Cadell & Davies, 21 June, 1814. Soft ground etching, plate size 380 x 325 mm. on a larger sheet; ex-library stamp to verso, together with the relevant letterpress. A fine portrait of the great publisher John Boydell (1720-1804), the most important print publisher of his day, and together with.....
London: John Carpenter, 1843. Quarto, eight handcoloured engraved plates; in original cloth-backed boards, paper titling label on front board. Fifth edition of this beautifully-produced but practical guide to colour in painting, which uses works by old masters such as Titian, Van Dyck and Rubens as a guide.
Amsterdam: Société d'Edition, 1925. Thick quarto, with 180 plates and 150 illustrations in the text, large folding colour map; untrimmed, in original colour decorated wrappers. Limited edition of 1000 copies, printed on 'papier vergé'. This is a beautifully produced and exceptionally detailed study of the Sumatran people and culture. In.....
London: circa 1780.
Exceptionally rare medal, an early commemoration of Cook's deathBronze medal, 37 mm. Extremely rare: the "Courage and Perseverance" medal, struck soon after news of Cook's death reached England. News of Cook's death was first published in Büsching's Wöchentlichte Nachrichten (Berlin, 1780) in early January 1780, via.....
London: Royal Society, 1784.
One of 322 silver specimensSilver medal, 43 mm. diameter; relief bust of Captain Cook on recto, full-length relief portrait of Fortune leaning on a column while resting her hand upon a rudder and globe on verso. The handsome silver issue of the Royal Society's formal.....
Zurich: n.p., 1821.
Elusive biography of the great Cook voyage artist, with portrait and viewSquare octavo, aquatint frontispiece, 13pp. with engraved oval portrait at head of first page; a fine copy in the original printed brown wrappers, preserved in a folding bookform case. Only edition: with the famous engraved.....
London: T. Clay, 1828.
Learning to paint in watercolourOblong quarto; illustrated throughout with full-page hand-coloured lithographs; in later quarter maroon calf over original marbled boards. Artistic tuition by a notable English painter whose reputation has grown in recent years. The recent major exhibition of Cox's work at the Yale.....
Manchester: issued for private circulation by James Edge-Partington & Charles Heape, "Lithographed by Palmer, Howe & Co., Manchester" 1890/1895/1898.
The complete set of a core ethnographical classic, in original portfoliosThree volumes, oblong folio, with 854 lithographic plates loose in the three original cloth portfolios, as issued, complete with the.....
Sydney: D. Wall, 76 York Street, n.d. but, 1848. Quarto, with full page copper plate engravings throughout, owner's name "Alfred C. Johnson"; a good copy in the original pink papered boards, preserved in a blue folding quarter morocco book-form box, lettered to the spine. First edition, first issue of Australia's.....
Sydney: Gibbs, Shallard and Company, 1878.
Important Australian architectural record.Quarto, with full page copper plate engravings throughout, half black roan with gilt lettering, bookplate of Henry White. Joseph Fowles arrived in Sydney in 1838 and this is without doubt his most important work, providing remarkably detailed information on the.....
Dunedin: New Zealand Institute, 1896.
The original Maori design source-bookLarge quarto, profusely illustrated throughout (including seven special plates printed in black and red), a very attractive copy in original half morocco binding. A special publication of the New Zealand Institute to record and photograph all outstanding examples of surviving.....
Wellington: The Polynesian Society, 1946.
A fine collectionOctavo, 98 plates with descriptive text, bound in recent blue cloth retaining original printed wrappers, fine copy. Second edition. 'Mr. W.O. Oldman of London was for many years a dealer in curios and artefacts fabricated by primitive peoples, and ended by becoming.....
London: Hurst and Blackett, 1865. Two volumes, thick octavo, two engraved portrait frontispieces, double-page pair of chromolithograph plates of borders, numerous wood engravings in the text; ALS from Josiah Wedgwood II (son of Josiah Wedgwood) attached to verso of frontispiece in first volume;in striking three-quarter red morocco, gilt lettering and.....
London: 1829. 2 volumes, octavo, with 25 engravings including two frontispieces, handsomely bound in full contemporary green straight-grain morocco, spines ornately gilt with raised bands, boards embossed and decorated in gilt, dentelles, all edges gilt. A particularly attractive copy of the 1829 New Edition of Pilkington's standard reference work, revised.....
London: for J. Taylor, 1823. Quarto, 33 engraved plates (23 sepia aquatints), partly unopened in original grey boards, with 16 pp. publisher's catalogue. An excellent unsophisticated copy of the second edition. Pocock (1779-1849) had an extensive and varied architectural practice in England, Ireland and Canada, where he built the Ball.....
London: James Rimell and Son, 1881. Folio, with a suite of 24 tinted lithographs, some foxing; a very good copy bound in original dark blue cloth, small worm hole to front board, gilt. An attractive copy of this increasingly rare book of illustrations by Samuel Prout, an important and influential.....
Sydney: Charles Potter, 1893. Large oblong album of 27 original photographs mounted on card with letterpress title-page; bound in gilt lettered full dark blue morocco by the Government Binder. Rare and sumptuous album of early Sydney prepared at the artistic pinnacle of Government printing and binding. John Rae (1813-1900), a......
London: Cadell and Davies, 1809. Three volumes, octavo, aquatint frontispiece portrait; fine in contemporary sprinkled calf, spines simply ruled in gilt, red morocco lettering pieces and circular green volume labels. Fourth edition, corrected, in a restrained contemporary binding: the works of Sir Joseph Reynolds, the most influential of eighteenth-century English.....
Paris & Brussels: G. van Oest, 1925. Folio, with 70 fine photogravure plates, three of them in colour, and a map; contemporary quarter vellum. A scarce book, evidently produced in quite a limited printing. This is an important study of the Buddhist sculpture of Thailand, handsomely produced and well illustrated.....
Paris: G. Van Oest, 1929-1930.
Buddhist arts of China and Central AsiaFour volumes, large quarto, with a total of 476 photographic plates, uncut as issued in the publisher's card covers with printed dust-jackets; covers and jackets worn and chipped, (some splitting at covers and spines), nonetheless a very good.....
London: circa 1870. Large thick octavo, with 61 fine steel-engraved views including a vignette title-page; a very good copy in contemporary red morocco ornately gilt, gilt edges. First edition in this form: another edition appeared in 1857. Turner's illustrations and Ritchie's text first appeared in slightly different form in 1833.....