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Paris: circa 1846. Tinted lithograph, 220 x 365 mm., disbound. Original lithograph from Dumont d'Urville's "Voyage au Pole Sud", showing a beautiful New Guinea harbor scene, with the two ships anchored and a survey party at work. Dumont d'Urville's instruction from King Louis-Philippe was to explore the South Pole. Up...
Paris: circa 1845. Tinted lithograph, 230 x 380 mm., mounted in acid-free card. Original lithograph from Dumont d'Urville's Voyage au Pole Sud, the official published account of his second voyage through the South Pacific into Antarctic waters. Dumont d'Urville's instruction from King Louis-Philippe was to explore the South Pole. Up...
Paris: Tastu, 1833.
Iconic indigenous portraitsLithographic sheet measuring 340 x 540 mm. Original lithograph from the official account of the Dunont d'Urville expedition, comprising portrait studies of West Australian Aborigines. Louis de Sainson, the topographical draughtsman travelling with the expedition, made many detailed studies of the local inhabitants of...
Paris: Tastu, 1833.
Colonial architect Francis GreenwayLithographed view on china paper, mounted, well coloured, 215 x 310 mm. This view of the Governor's Stables shows the original Francis Greenway building before changes. Greenway, the colony's first architect worked under the patronage of Governor Lachlan Macquarie. This building still stands...
Paris: Tatsu, 1833. Lithographed view, 205 x 355 mm. The Astrolabe (Duperrey's old ship the Coquille, renamed in honour of La Pérouse) sailed from Toulon in April 1826. Dumont d'Urville was instructed to explore the principal island groups in the South pacific, completing the work of the Duperrey voyage, on...
Paris: Tastu, 1833. Lithographed view on china paper, 195 x 310 mm (image size); well preserved, mounted. Attractive view of the first Government House in Sydney, which stood on the corners of Bridge and Phillip Streets. The original cottage had been begun by Phillip in July 1788, but was much...
Paris: Imprimerie Royale, 1833.
Engaging Sydney Harbour viewLithograph, 205 x 320 mm.; very good condition, mounted. This fine view shows ships of the Astrolabe voyage passing through Sydney Heads. The Astrolabe (Duperrey's old ship the Coquille, renamed in honour of La Pérouse) sailed from Toulon in April 1826. Dumont...
Paris: Tatsu, 1833.
Sydney HarbourLithograph, 358 x 517 mm; in fine condition, embossed stamp below title, mounted. A fine view of the ships of the Astrolabe voyage passing through the Heads of Port Jackson by Louis de Sainson. The lithograph is from Dumont Durville's Voyage de la Corvette l'Astrolabe...
Paris: Tastu, 1833. Lithograph, 225 x 320 mm.; mounted. Fine original lithograph from the official account of the Dunont d'Urville expedition, depicting a group of West Australian Aborigines roasting lizards over a fire. Louis de Sainson, the topographical draughtsman travelling with the expedition, made many detailed studies of the local...
Paris: 1833. Lithographed view, coloured; 185 x 350mm, mounted. Beautifully coloured engraving of a view of the Port of King George, illustrating the voyage of Dumont D'urville. The Astrolabe made several points of call along the Australian coastline, particularly in New South Wales and north-western Australia, as well as New...
Paris: circa 1828.
Ethnology of MicronesiaEngraved plate measuring 320 x 235 mm. (plate size). Proof plate of a splendid engraving of tools, sandals, outrigger canoes and blades for everyday use from the Marianas group of Islands (including Guam), a part of the present-day Micronesian Federation. the plate illustrates the...
London: John Stockdale, 1789.
Fine depiction of the kookaburraOriginal engraving, 260 x 190 mm. very good condition, mounted. Fine impression of the so-called "Great Brown Kings Fisher" or Laughing Kookaburra. This engraving is taken from Governor Phillip's Voyage of Governor Phillip to Botany Bay published by Stockdale in late...
London J. Reynolds & Sons 174 Strand nd, circa 1875.
Peoples of the Polynesian islands portrayedHand coloured lithograph, 430 x 690mm, designed by E. Ravenstein is inscribed lower left mounted and framed. A large nineteenth century lithograph showing full length portraits of people from Oceania and America. To the...
London: James Whittle & Richard Holmes Laurie, 1814.
From Bellevue HillEngraving on paper, 290 x 430 mm; a good, well-inked impression. A lovely, early Sydney view: the city and Harbour is shown from the Bellevue Hill and Vaucluse area, looking westward. This fine engraving was published by Laurie and...
London: undated but all circa 1853.
The settlement of Brisbane and the Darling Downs; rare pictorial records.Eleven black and white lithographs: numbers 1-5 and 7-9 approx 255 x 330 mm (matted size) and 2 approx 280 x 375 mm (conforming to those prepared for "Fifteen views of Australia in...
Paris: after 1820 and before final publication in 1826.
Freycinet insisting on ethnographic and scientific detailEarly proof plate before letters and number; manuscript caption and notes, bold ink note with instructions to engraver. Early stage of an important engraving from the official account of Louis de Freycinet's voyage in...
Blue Mountains AboriginesHandcoloured stipple engraving, 150 x 270mm. A marvellous engraved portrait of an Aboriginal elder of the Blue Mountains named Karadra and his companion Hara-o, after an original study by Alphonse Pellion; Karadra, the older man on the right, holds a clay tobacco pipe in his...
Paris: 1822. Hand-coloured engraving, 190 x 270 mm., mounted. Early view of Warragamba River in the lower Blue Mountains, the site of Sydney's ever important Warragamba Dam from the official published account of the major French voyage of 1817-1820 to Australia and the Pacific commanded by Louis de Freycinet. The...
Blue MountainsEngraving, 190 x 270 mm. Early view of Warragamba River in the lower Blue Mountains, the site of Sydney's ever important Warragamba Dam from the official published account of the major French voyage of 1817-1820 to Australia and the Pacific commanded by Louis de Freycinet. The...
London: G. Garrard, 31 May 1811.
Sir Joseph Banks judges sheepshearingOriginal aquatint, stipple, etching and engraving; 540 x 800 mm., mounted and framed. A large detailed and striking image of the annual sheep shearing festival held by the Duke of Bedford at Woburn Abbey, with Sir Joseph Banks a....
London: John Faber, 1732. Mezzotint measuring 350 x 250 mm. with detailed engraved caption. Mezzotint portrait of Admiral Charles Wager, an instrumental figure in the effective organisation of the British Navy in the first half of the eighteenth-century. Wager won his fame by capturing the rich Spanish prize Santa Cruz...
London: J. Gillray, n.d., 1798.
The House is adjourned to Botany BayEtching; 320 x 360 mm., mounted. The original eighteenth century version of this rare transportation engraving, where the Parliament of Great Britain has been condemned - the chair of the Speaker being inscribed "This House adjourned to Botany...