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Rare original view in Mauritius by one of Baudin's artistsPencil sketch, 135 x 195 mm.; laid down on the original blue-paper mount, signed on the lower left of the mount and captioned. A striking pencil sketch by the Baudin voyage artist Milbert, done in the south-west of...
Paris: Gravé par Tardieu, 1808.
French designs for South Australia.Engraved chart; 580 x 850 mm. Impressive early chart of the South Australian coastline revealing French colonial ambitions for Australia, a result of the survey undertaken during the Baudin expedition in Australian waters during 1802. As the title "Terre Napoleon"...
The cassowaryHandcoloured engraving, 160 x 230mm. A fine rendering of the Cassowary from the account of the Baudin voyage to Australia and the Pacific. The expedition's artist was Charles-Alexandre Lesueur who set out on Baudin's expedition as an assistant gunner, and it wasn't until mass desertions, including...
Coastal views of Northwestern AustraliaSingle sheet, 353 x 260 mm., wove paper, hand-coloured engraving. A charming set of coastal views on the western and northern coast of Australia after the original sketches by Lesueur. The first two coastal views depict stretches of the Champagny archipelago (present-day Champagny...
South America: 7 January 1832.
Original panorama from the Beagle voyageOriginal watercolour, 85 x 390mm., inscribed "Point Naga S.65.W. H.M.S Beagle Jan 7 1832" lower left; "Spirito Santo 3.20 distant 5 miles" lower centre; on verso inscribed "Fanny 1836"; backed on tissue and mounted. This superb coastal profile is...
London: Colnaghi, 1831.
The reigning queen for whom Adelaide was namedEngraved oval portrait, 29 x 24 mm. Sir William Beechey, well known English portrait painter, was elected A.R.A. in 1793. In the same year he painted a portrait of Queen Charlotte which procured him the appointment of portrait painter...
Paris: Deposit des cartes, plans et journaux de la Marine, 1756.
Imagining Australia's eastern coastline conjoined with New GuineaEngraved map, 572 x 852 mm, on quite thick paper; attractively coloured with background beige wash for sea areas; folding into an original boards binding, lined with some old manuscript; manuscript...
Paris: Dépôt Génerale de la Marine, 1765.
Halley's great dream pursued by BellinChart, engraved; 620 x 930 mm. Mid eighteenth century world map showing magnetic variation through the Atlantic and Indian Oceans. This map represents decades of work by several enlightenment luminaries. The scientific study of magnetic variation was.....
Germany? circa 1851.
Travelling menagerie including an Australian dingoTwo broadsheets (400 x 243 mm.; 218 x 380 mm.). Two wonderful German broadsheets, advertising a travelling zoo. Among the fascinating animals listed as being exhibited, the Australian dingo makes a rather surprising inclusion. The 1840s and 1850s had witnessed a....
The German Association of Victoria salutes the Iron ChancellorLarge folio-sized presentation album framing lithographed and hand-painted illuminated manuscript address, 435 x 315 mm, ink and watercolour, two large initials gilt with red and blue foliate decoration, and initials alternating red and blue, with moiré. This handsome illuminated...
London: B.B. Evans, 1790.
The most infamous moment in naval history: Bligh cast adriftColoured aquatint engraving, 455 x 620 mm., mounted and framed. The mutiny on the Bounty, Bligh and his men cast adrift: one of the best known of all maritime images, which includes the only known portrait...
London: J. Gillray, nd. circa 1850.
The House is adjourned to Botany BayEngraving, 370 x 270 mm., handcoloured as issued, mounted. A famous, satirical look at the decision of the English parliament to create a penal settlement at Botany Bay, in contrast to the atmosphere of reform and concern...
Paris: Bulla, 1828.
Aboriginal portraits and camp-fire sceneHandcoloured lithograph, 385 x 290 mm. Engaging Australian Aboriginal portraits and camp scene from the official voyage account of Hyacinthe de Bougainville, who toured the South Pacific between 1824 and 1826. Edmond de la Touanne, whose work formed the basis of these...
London: Ackermann, 1852.
Splendid marine lithographs by Queen Victoria's artistPair of colour lithographs, 375 x 535 mm. A fine pair of portraits of a splendid ship: these colour lithographs after original watercolours by Oswald Brierly were made by T. G. Dutton and printed by Day and Son for Ackermanns...
London: Day and Son, 1852. Coloured lithograph measuring 250 x 350 mm., mounted and framed. Dramatic and finely executed coloured lithograph of the survey vessel HMS Rattlesnake by eminent marine artist Sir Oswald Brierly (1817 - 1894). Under the command of Captain Stanley Owen the Rattlesnake undertook an extensive marine...
London: 1831. Engraving, 280 x 450 mm.; mounted. Scarce panoramic view of Hobart, complete with key description, based on an original painting by Augustus Earle. Earle arrived in Tasmania in January 1825 and painted "a series of linked watercolour views of Hobart Town which were later developed into this panorama...
[Canton]: circa 1863.
Old Canton through European eyesWatercolour on paper, 210 x 300 mm; signed in pencil; mounted. Charming and atmospheric watercolour of the Guangzhou area, depciting the Pearl River at sundown, looking towards old Canton, with the Chigang Pagoda and the Temple of the Six Banyan Trees seen...
London: J. Wilkes, 20 September, 1800.
Commemorative portraitEngraving, 161 x 114mm. (plate size). A particularly interesting engraved portrait of Cook, after the original by Nathaniel Dance. The vignette at the base of the oval includes a minute but essentially accurate rendering of Webber's scene depicting Cook's death in Hawaii...
Paris: l'Honore & Chatelain, 1719.
One of the most richly decorated world maps ever producedEngraved map, with fine hand colouring, printed in four sheets joined, 860 x 1440 mm.; mounted and framed. A splendid example of Henri Châtelain's rare and magnificent wall chart of the Pacific and its surrounds...
Yantai, Shandong Province, China: 23 June 1860.
HMS Gunboat Opossum during the Taiping RebellionWatercolour, 230 x 380 mm, signed and dated ("Lindesay Brine fecit June 22 1860"); mounted. An attractive and skillfully executed drawing heightened with watercolour. Two Chinese figures carrying baskets have been sketched in the foreground but...
Sydney: J.R.Clarke, circa 1857.
Sydney HarbourIllustrated tinted lithographed sheet music cover. Edmund Thomas (1827-1867, painter and lithographer) arrived in Port Phillip in 1852, where he spent a productive few years before he moved to Sydney in late 1854. Having produced a well received album of Melbourne views before leaving...
Paris: circa 1830. Aquatint, 200 x 233mm. (sheet size). View of Aboriginal shelters, with detail of a dingo and an armed warrior. The plate was prepared from the suite of native studies by John Heaviside Clarke, first published in Foreign Field Sports (London 1814) and here re-printed for a French...
The Maroubra Bay shipwreckWatercolour, 18.2 x 54 cms. mounted and framed. This watercolour is signed lower left, M Clarke and was painted as the clipper ship Hereward lay on its side wrecked at Maroubra Beach NSW. The Hereward had blown onto soft sand at the northern end...