Narrative of the Expedition of the Australian Squadron to the south-east coast of New Guinea, October to December, 1884. With illustrations. Commodore James E. AUSTRALIAN SQUADRON. ERSKINE.
Narrative of the Expedition of the Australian Squadron to the south-east coast of New Guinea, October to December, 1884. With illustrations.
Narrative of the Expedition of the Australian Squadron to the south-east coast of New Guinea, October to December, 1884. With illustrations.
Narrative of the Expedition of the Australian Squadron to the south-east coast of New Guinea, October to December, 1884. With illustrations.
Narrative of the Expedition of the Australian Squadron to the south-east coast of New Guinea, October to December, 1884. With illustrations.
Narrative of the Expedition of the Australian Squadron to the south-east coast of New Guinea, October to December, 1884. With illustrations.
Narrative of the Expedition of the Australian Squadron to the south-east coast of New Guinea, October to December, 1884. With illustrations.
Narrative of the Expedition of the Australian Squadron to the south-east coast of New Guinea, October to December, 1884. With illustrations.
Narrative of the Expedition of the Australian Squadron to the south-east coast of New Guinea, October to December, 1884. With illustrations.

Narrative of the Expedition of the Australian Squadron to the south-east coast of New Guinea…
Narrative of the Expedition of the Australian Squadron to the south-east coast of New Guinea, October to December, 1884. With illustrations.

Sydney: Thomas Richards, Government Printer, 1885.

Large square folio, with a folding map, three coloured lithograph plates, 33 original silver albumen photographs (283 x 212 mm) mounted on card with printed captions and borders, and two superb panoramas, one of them double-page (240 x 553 mm) and the other on four sheets (242 x 1053 mm); original dark blue grained morocco binding, bevelled edges, spine banded and sides with multiple borders in gilt, front cover lettered in gilt, all edges gilded.

"The most magnificent example of an Australian work in this genre"

A striking copy of this very rare work. A sumptuous publication admired as much for its technical virtuosity as its beauty, the album has been called the first example of Australian photo-journalism: 'the most magnificent example of an Australian work in this genre, the high point in relation to which all other examples can be considered' (Holden, Photography in Colonial Australia). The photographs all date from the 1884 expedition, when Commodore Erskine proclaimed a British protectorate over the south coast of New Guinea. Although unattributed at the time, all of the images were taken by the staff of the New South Wales Government Printing Office. and are now recognised as having chiefly been the work of Augustine Dyer (1873-1923) of the Printing Office. The album is principally intended as a visual record, and is a piece of photo-reportage unmatched by any other work of this time and place. Through the positioning of images of the official ceremonies alongside topographical views of the surrounding areas, the photographs themselves become a true part of the narrative. It is most impressive as an ethnographic album, one of the first such produced in the South Pacific. A special copy was delivered to Her Majesty the Queen as "a keen supporter of photography."

A striking copy of this very rare work. A sumptuous publication admired as much for its technical virtuosity as its beauty, the album has been called the first example of Australian photo-journalism: 'the most magnificent example of an Australian work in this genre, the high point in relation to which all other examples can be considered' (Holden, Photography in Colonial Australia). The photographs all date from the 1884 expedition, when Commodore Erskine proclaimed a British protectorate over the south coast of New Guinea. Although unattributed at the time, all of the images were taken by the staff of the New South Wales Government Printing Office. and are now recognised as having chiefly been the work of Augustine Dyer (1873-1923) of the Printing Office. The album is principally intended as a visual record, and is a piece of photo-reportage unmatched by any other work of this time and place. Through the positioning of images of the official ceremonies alongside topographical views of the surrounding areas, the photographs themselves become a true part of the narrative. It is most impressive as an ethnographic album, one of the first such produced in the South Pacific. A special copy was delivered to Her Majesty the Queen as "a keen supporter of photography."
The superb series of ethnographic and exploration photographs commemorating the 1884 expedition were printed and the albums assembled n Sydney, in a small edition for presentation. The motivation for the Australian Squadron's expedition to New Guinea was imperialistic: "The Imperial Government... decided to take steps to establish a Protectorate over that part of the southern shores of new Guinea to the east of the territory claimed by the Netherlands, with the double object of preventing any foreign occupation of the country, and of protecting the inhabitants from aggression...". This declaration of the expedition's objective belies the tone of much of Erskine's Narrative, which reads more like a travelogue than an official account. "Picturesque" is the most often used descriptive term, along with such passages as "the striking variety and beauty of the colour in the adjacent water were enchanting, and struck the beholder with wonder and admiration." Similarly, Erskine's own speech, considered for many years as a "Declaration of Rights" for New Guinea, contrasts strongly with the text of the Proclamation itself. The latter is couched in formal, imperial language, whereas the former looks ahead in more open terms to the real benefits that the tribesmen might expect, and is very specific with regard to the protection offered by Her Majesty Queen Victoria: "look upon white persons whom the Queen permits to reside amongst you as your friends...".
The photographs are: 1) "Port Moresby, from the Mission Station." Four-sheet panorama. 2) "H.M.S. 'Nelson' at Port Moresby, S.W." 3) "General View of Settlement at Port Moresby, N.N.E." 4) "Commodore shaking hands with Native Chief 'OBE Vagi', on board H.M.S. 'Nelson', at Port Moresby." 5) "Native Village, Port Moresby, W." 6) "Ethel Island, and landing-place at Native Village, Port Moresby, S.W." 7) "Native Houses, Port Moresby." 8) "Native Village, Port Moresby, S." 9) "Native Village, Port Moresby, N.W." 10) "Hoisting Flag at Port Moresby, N.W." 11) "Yule Island, from Delena, Hall Sound, N.W." 12) "Landing-place at Delena, Hall Sound, N." 13) "Hoisting flag at Delena, Hall Sound." 14) "Koloka, the Queen of the Lolo Tribe at Delena." 15) "Landing at Motumotu." 16) "Landing at Motumotu." 17) "Firing the Feu de joie, Motumotu." 18) "New Guinea Chief, Motumotu." 19) "Native Village, Kerepunu, Hood Lagoon, S.W." 20) "Commodore reading Proclamation at Kerepunu, Hood Lagoon, W." 21) "H.M.S. 'Espiegle' saluting Flag, Hood Lagoon." 22) "Scene near Kerepunu, Hood Lagoon, N.E." 23) "A Chief's House, Kerepunu, Hood Lagoon, S.W." 24) "Commodore addressing Chiefs on board H.M.S. 'Nelson', Hood Bay." 25) "Argyll Bay, W.N.W." Two-sheet panorama. 26) "Commodore reading Proclamation at Argyll Bay, N.W." 27) "H.M.S. 'Nelson' saluting Flag at Mission Station, Suau, Stacey Island, South Cape." 28) "View from Stacey Island, N." 29) "Native Village, Suau, S.W." 30) "Native House at Suau." 31) "View from Dinner Island, China Strait - H.M. Ships 'Nelson' and 'Espiegle' at anchor, N.W." 32) "View from Dinner Island, S.W." 33) "Natives on board H.M.S. 'Nelson' at Dinner Island." 34) "View from Anchorage, N. side of Teste Island, W. by N." 35) "West end of Teste Island, from Anchorage, S.W."

Provenance: A Paré, "Elgin", Durban Rd., Wynberg [South Africa] (pencil inscription on front flyleaf).

Robert Holden, 'Photography in colonial Australia: the mechanical eye and the illustrated book', 79 and pp 24-31; Gael Newton, 'Shades of Light: Photography and Australia 1839–1988', pp. 57-9. Not in "The Truthful Lens". See also Antje Lübcke blog post: '… superb photographs of very great interest' (https://specialcollections.blog.lib.cam.ac.uk/?p=5313).

Price (AUD): $64,500.00  other currencies     Ref: #4504633

Condition Report