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London: 1853. Handcoloured engraving, 210 x 305 mm. on wove paper, mounted. A wonderful satirical mid-nineteenth century cartoon portraying young, single and desirable ladies abandoning generous marriage proposals in favour of fortune seeking on the goldfields. The Prints and Printmaking in Australia and the Pacific online database confirms that the.....
London: Leighton Brothers, n.d., but circa 1855.
Australia Felix: fine portrait of Westgarth's partner Alfred Ross.Engraving, 545 x 400 mm. (sheet size), laid down on publisher's light card, mounted. Fine and rare large format engraving of Alfred Ross, Australian merchant, partner of William Westgarth, and eminent member of the.....
Paris: 1814. Handcoloured engraving, 140 x 250mm, mounted, with caption letterpress laid down. This hand coloured engraved view is a smaller rendition of the engraving by Milbert, which appeared in Peron's Voyage de decouvertes aux Terres Australes….. Paris 1807. It is the view seen from Nicholas Baudin's camp in 1802.....
probably Weimar: circa 1808.
Rare German version of the Lesueur Sydney viewSingle sheet, 340 x 222 mm., laid paper, featuring an engraved view of Sydney Cove, slight browning, very good. A good view of Sydney Cove closely based on the original engraving in the official publication of the Baudin.....
London: J.H. Bohte, 1822. Handcoloured engraving, 289 x210mm.; mounted. The Reed Warbler is an interesting bird, found down Eastern Australia to Victoria and Tasmania, but coming and going mysteriously in the southern parts of its habitat. Besides being a migrant, the Reed Warbler, as its name indicates, is a merry.....
London: J.H. Bohte, 1838.
Australia's first professional artistEngraved plate with contemporary handcolouring, 280 x210mm. The graceful Sydney honey-eater engraved by Australia's first professional artist John Lewin, who arrived in the colony in 1800 and established himself as our first natural history illustrator. Aside from being Australia's first natural history.....
Melbourne: Alfred Winter, circa 1860. Photographic carte de visite, 95 x 60 mm., some rubbing; Alfred Winter trade details verso and manuscript attribution, very good. Fine photographic carte-de-visite of Anne Lindsay, by the prominent early photographer Alfred Winter. The photographer was Alfred Winter, and his printed advertising crest is on.....
Hobart: M. & N. Hanhart, circa 1857.
From the personal collection of John Alexander FergusonTinted lithograph measuring 380 x 550 mm., mounted. Attractive Hobart view with good view of the township and wharves during the middle nineteenth-century. Provenance: from the collection of he great Australian bibliographer, John Alexander Ferguson.....
Augsburg: Tobie Conrad Lotter, 1781.
Pivotal early map of Hawaii and the North PacificEngraved map, 465 x 490 mm., with original handcoloured outlines; mounted. The first separately-issued map to depict Hawaii: the panels of text beneath the map, in both French and German, mention the discovery of Hawaii and.....
London: J. Souter, November 1824.
Idealised Australian parkland viewHand-coloured aquatint, 265 x 355 mm., mounted. An attractive plate from the Joseph Lycett's Views in Australia or New South Wales, & Van Dieman's Land, published in London in 1825 and a landmark in the development of Australian illustrated books. Lycett.....
[England]: no date but 1857.
From Vah-ta-ah to Lydia: cannibals rejoiceOval portrait Baxter print in the original timber frame, 145 x 125 mm., modern labels pasted to back;. A most attractive Baxter print of a "Feejean Princess". This image was included as the frontispiece to a book on Fiji.....
London: for the Linnean Society, 1845. Engraving, 243 x 300 mm. (plate size). Fine engraved portrait of Alexander Macleay, after the oil painting by Sir Thomas Lawrence commissioned by the Linnean Society and displayed in their prestigious portrait gallery of eminent naturalists at Burlington House, London. Macleay was Secretary of.....
Np: circa 1680. Woodcut engraving, 180 x 130 mm. From Isaac Bullart's "Académie des Sciences et des Arts…" (François Foppens: Brussels, 1682 & 1695), by the printmaker Nicolas de L'Armessin (signed bottom right). Magellan's expedition was the first to cross the Pacific and the first circumnavigation of the globe. The.....
London: John Booth Duke Street Portland Place, 4 June 1810.
The first panoramic views of Sydney to be exhibitedPair of uncoloured aquatints joined as a panorama as intended, 340 x 980 mm; in original bird's-eye maple frame. A rare panoramic view of Sydney Harbour. John Eyre arrived in New.....
Martens before the BeagleLithograph, 150 x 245 mm., Very rare indeed: an example of the work being done by Conrad Martens before he sailed on the Beagle. Any art relating to this early part of his career is most uncommon. Conrad Martens (1801-1878), perhaps the best known.....
London: Robinson, 1798.
Rare Alaskan mapEngraved map, 410 x 510 mm; with original central fold. Fine and very detailed chart of Bucareli Sound in Alaska, prepared for the publication of La Pérouse's voyage, here in the English version. The engraving acknowledges its derivation from the mapping by Maurelle and.....
London: Hodgson & Graves, 1839.
Melbourne: the manMezzotint measuring 305 x 230 mm. (plate size). A beautifully executed mezzotint portrait of William Lamb, second Viscount Melbourne, after whom the capital city of Victoria was named in 1837. Although printed in 1839, at the height of Melbourne's career and while.....
London: Mitchell & Carmichael, 1834.
Mitchell's first major map of New South Wales: the nineteen coloniesDissected hand-coloured engraved map, backed on linen as issued, 625 x 1340 mm.; a very handsome large-format map; preserved in the original green cloth slipcase, early manuscript label to front. Very rare: the so-called.....
Amsterdam: Pierre Mortier, circa 1700.
Dutch seventeenth century map of the Australian coastEngraved map, 565 x 860 mm (map size); contemporary hand-colouring, framed. First issue of Mortier's important and highly attractive large format Dutch map depicting the "coasts of Asia" and including a good and substantial early depiction of.....
[Sydney?]: circa 1840s.
Unsigned caricature of three men in mid-century New South WalesThree ink caricatures on a single sheet of laid foolscap paper, 215 x 340 mm. A charming naïve ink sketch executed in mid-century Sydney. The three figures make an interesting tableau and would seem to illustrate a......
London: Alex Hogg., n.d., but circa 1784.
Re-engraved for AndersonEngraving, 380 x 235 mm. Naïve oval portrait prepared as frontispiece for Anderson's New, Authentic and Complete Collection (1784-86). The scroll below gives birth and death information and names of the ships on each voyage.
London: Publish'd according to Act of Parlt. 25th October 1774.
The ideal image of the "Noble Savage"Etching and stipple engraving, 540 x 330 mm.; framed. A wonderful full-length portrait of Omai (also known as "Mai"), the Tahitian who was seen as an outstanding example of Rousseau's noble savage when.....
London: John Stockdale, 31 August, 1789.
After a drawing by LathamOriginal engraving, 260 x 190 mm. Mounted. Marvellous image of the "Vulpine Opossum" after an original drawing by Latham. This print is taken from Governor Phillip's Voyage of Governor Phillip to Botany Bay published by Stockdale in late 1789.....