Refine search resultsSkip to search results
[Sydney]: S. Sedgefield (signed as lithographer), circa 1870. Tinted lithograph, 192 x 340 mm., mounted. An unusual and separately issued view of Rushcutters Bay, Sydney. This view, looking up from the Harbour, shows Darling Point populated by only a few stately villas. In the background can be seen the spire.....
Sydney: circa 1850.
Government House and Fort Macquarie from the HarbourOil on artists' board, 139 x 291 mm. An attractive nineteenth century painting of Sydney and its Harbour. In the foreground sits a three-masted schooner under sail, whilst to the left can be seen Government House and to the.....
London: n.d., circa 1790.
The city of Sydney bears his nameMezzotint engraving, 440 x 310 mm. A fine and fresh impression: Lord Sydney, after the official portrait by Gilbert Stuart, the celebrated American portraitist – the "father of American portraiture" – who worked in England from 1775 until the.....
London: Boydell, circa 1819.
Cook's officers described it to him as a Roman Catholic ChapelHand-coloured aquatint, 280 x 410 mm., Whatman paper with 1819 watermark; very good. Arresting image of the Tahitian chief Waheiadooa (Vehiatua) lying in state. Cook recorded in August 1777 that his curiosity had taken him.....
Venice: circa 1688-1699.
Elephants in Northern Australia?Engraved gore sheet, 485 x 335 mm (sheet size); mounted. A gore sheet, designed to be pasted onto a globe, and an important map of Australia: this single sheet by the great Venetian cartographer Coronelli shows the north western coast in some detail.....
London: Printed & Sold by Carington Bowles, Published as the Act directs, 24 June 1779.
Convict Hulks on the ThamesHandcoloured engraving, 360 x 505 mm. in fine original condition, mounted and framed. Earliest issue of this fascinating depiction with vibrant contemporary handcolouring of convicts from the hulks labouring on.....
London: Cadell and Davies, 1802.
After Thomas WatlingHandcoloured engraving, 267 x 200 mm. mounted. Fine hand-coloured impression of this famous depiction of the "Maenura Superba" or Superb Lyre Bird. The present engraving which was published in 1802 in David Collins' An Account of the English Colony in New South.....
London: Alex Hogg, n.d., but circa 1784.
Cook's editorsPair of engraved portraits on single sheet, 240 x 380 mm. Striking oval portraits of two men involved in the publication of Cook's voyages, from Anderson's Voyages of Captain Cook. Hawkesworth was of course the writer who published Cook's first voyage.....
London: The London Stereoscopic & Photographic Company, circa 1871.
The pleasure of his company…Photograph measuring 89 x 59 mm. (image), on card with printed caption, verso bears printed details of the London Stereoscopic Company, fine. Scarce contemporary photographic image of Arthur Orton, the Australian butcher who claimed the identity.....
London: circa 1871.
The pleasure of his company…Photograph, 89 x 59 mm. (image), on printed card, with ms. ink inscription on the bottom margin: "Arthur Orton - alias T. Castro - alias Sir Roger C. Tichborne - 1871. Sentenced to 14 years penal servitude - 1874" A rare image.....
Amsterdam: Isaak Tirion, 1753.
Conjoined Australian landmassHandcoloured map measuring 360 x 490 mm. (sheet size); mounted, fine. A colourful and attractive eighteenth-century Dutch map of the Old World, Africa, Asia and Australasia. Interestingly, it depicts the Australian continent connected to the landmass of New Guinea - an archaism given.....
circa 1793-, 1797.
By an artist for Flinders and BlighWatercolour, oval shape, 132 x 195 mm., tipped on to card, in gilt frame. A finely executed watercolour of a fleet amidst icebergs. Although unsigned, this watercolour was originally found in a nineteenth century album with another of very similar.....
Italy: n.d., circa 1830. Two lithographic plates, 105 x 130 mm. each, on a single sheet; disbound. A rare and unusual piece of transportation history, showing a delightful and rather fanciful depiction of two scenes from the voyages to Sydney. In both scenes there is a distinct sense of classical.....
Oysters for allSepia drawing 110 mm x 170 mm (image size) mounted in an early timber frame. Charming rendering of a colonial woman oystering--a rare subject. Far from being the preserve of the gourmet, oysters in 19th century Sydney were fodder for all. Shell deposits in Sydney.....
Chester: McGachey, printer, for the Middle Hill Press of Sir Thomas Phillipps, 1856.
Dieppe school: the Vallard mapColour lithograph printed on card measuring 435 x 585 mm. The only early printing of any of the so called Dieppe maps, depicting the elusive landmass of 'Jave la Grande' that is.....
c, 1825. Lithograph on brown washed paper with white heightening, 290 x 370 mm., mounted. Carle Vernet (1758-1836) was trained by his father, Claude-Joseph. He won the Prix de Rome in 1782 and the Legion of Honor in 1808 with one of his battle scenes. Vernet was a horseman, riding.....
Somerset: circa 1840.
A rare original watercolour by one of Australia's celebrated artistsOriginal sepia watercolour with manuscript title in Wallis's hand, 167 x 368 mm, mounted. Inscribed lower right by James Wallis, "View of Culborne Church and Bristol Channel, Somersetshire". Wallis arrived in Sydney in February, 1814 in charge.....
London: Rudolph Ackermann, dated September 1, 1820.
Engraved by convict hands upon sheathing copperEngraved view measuring 230 x 335mm. (plate size), early handcolouring. An early engraved view of Sydney Cove, itself the extraordinary outcome of the fruitful relationship between two convict engravers, Walter Preston and Joseph Lycett, and the.....
London: Rudolph Ackermann, 1820. Handcoloured engraving, 230 x 335 (plate size), mounted. Very rare and attractive view of Vaucluse, from Wallis's Historical Account of the Colony,the first view book engraved in Australia. This work was an extraordinary collaboration between Major James Wallis, then commander of the convict settlement at Newcastle.....
Paris: chez Isabey, circa 1785.
Early proof of the French versionEngraving, 300 x 220 mm (image size), early proof plate without caption, mounted. A fine early proof copy of the French version of Webber's famous image, before the caption has been added. The general tone is very light; in.....
[Paris]: [chez Isabey], n.d, but circa 1785.
Desirable proof before caption stateEngraving, 300 x 220 mm (image size), "Fessard" and "Webber" present as faint scratch signatures. A further near-final proof of the French version before the complete caption has been added and with names in scratch proof form only.....
London: circa 1784. Engraving, 230 x 175 mm., mounted. Portrait of a woman from present day Tonga, originally sketched by Webber on Cook's Third Voyage. Webber completed "a pencil and wash drawing of a young woman with long hair, bare breast and a double necklace composed of pearls or berries".....